This winter, I was a part of Black Market Translations recording session Punketry the Album, based on the event of the same name. Punketry is a monthly Denver showcase of poets reading over punk music. My first track that came out of the session is called “Oppenheimer” after Robert Oppenheimer, who was involved in the creation of the atomic bomb, and famous quoted the Bhagavad Gita upon its completion saying “I am become death, destroyer of worlds…”
in the stale of
with a baseball bat
sticking out of the end
and bash them in the
like a zombie
terrorizing your childhood
do not listen
let the fucking
curse words shout
behind their backs.
keep their friends close,
but their enemies
(C) Brice Maiurro 2012
Cover art: John Jennings
it’s the bones that i’m thinking about. the frame. that which goes unspoken for but consistently holds me up. there is a stream that runs through green hills beneath a harsh sun. the grass has barely started to brown, to burn. and at the far edges of this still life is a frame that holds together like a family. there is a nail that trusts the wall. a wall that trusts the floors, the ceiling. light shines in through windows. i step, lifting a congregation of bone and marrow by muscle, over and again, in ten million years of motion leading to one moment where i look outside the window. my neck twisted upward to the golden sky i look for any trace of saturn and i think to myself where is it? and i answer back to myself it’s gone.
every year on my birthday i write a birthday poem. “the anatomy of a ___ year old man.” thank you for reading.
*just about every year on my birthday I write an “Anatomy of a … Year Old” poem. Thank you for reading.
i am a giant lizard monster
trying to lay down comfortably in a sprawling metropolis but the buildings scratch at my back
the cars pierce my feet like legos
i fold myself ragdoll into a suitcase in attempt to be smaller
i’ve tried my hand at big, i wish to be little
i stare into the mirror but it’s not a mirror
it’s the ghost of marley and he’s eating my cereal
he tells me i need to grow out my beard again
he reminds me i am a joshua tree at the end of the western world
he reminds me that it is crucial that i push through heavy desert ground
my veins are filled with marathon runners sprinting but only when it’s dark out
i’ve begun to name the avenues they run down, federal, larimer, colfax
rush hour is a real bitch
my hands shake at the horns honking screaming for attention
i’ve spent twenty eight years sawing myself in half for the big audience
i want to spend the next twenty eight sewn together
maybe salinger, alone in a boat in the middle of a forest
maybe vincent, a militia of mad men in the fields of anxiety
there is hair in my ears and when i was signing my contract this was not mentioned
television led me to believe that this corresponded with twilight years
meanwhile the movies led me to believe i would be a wealthy philanthropist batperson by now
i conveniently ignore al bundy’s belly, his thin hair, his vicious kmart realism
my eyes are the brownest they have ever been
this is good
this is spirit in form
petrified wood to be built into rocking chair conversations and tobacco pipes
i am seeking a clean definition of masculinity
and my femininity is my best hope to get there
there is goldfish in a glass bowl lodged in my heart
i still haven’t figured out what that’s all about but i feed it pellets
i remember that though the castle it swims around is small it is still a castle
and the castle is me and the goldfish is the music of it all
i’ve wrapped myself up in ace bandages but i’m not injured
i decide to play a mummy because for a brief minute this year i was a pharaoh
and now all i want is to be surrounded by true gold and sleep sleep sleep
and wake up thirty and haunt the shit out of these fuckers for at least a few more
great wonder beyond the wall
the wall beyond the shadows of something
the shadows of something beyond enveloped life
inconsistent adulterated human experience
swept clean like dead flies from the floor beneath the burning building
“enso” is a Japanese word meaning circle. ensos are symbolic of many things including enlightenment, infinity and the void. in some practices, Buddhists will each day paint an enso, usually in one stroke, in a certain hope of drawing a perfect circle. there is both a sense of giving in to the moment and the ongoing discipline towards perfection therein. with these enso poems, i will write poems in one fell swoop, hoping for the best, hoping to strengthen my muscle each day, and resolved in their imperfections.
I kind of feel like a field of ten thousand oranges,
like a universe made up entirely of suns,
like some sort of cosmic relief to be freed from subterranean dirt,
like I’ve worked my way through codependent alcohol-induced relationships
and deciphered every single Fall Out Boy lyric.
I kind of feel like God,
except I’m buying Glide floss at the grocery store
and everyone around me is God too.
I kind of feel like the flower section at King Soopers.
I feel like the succulent on clearance at King Soopers
but then I purchase myself and water myself back to health.
The sky is a Charles Mingus song,
my eyes are an audience drunk on sound.
I’m chewing on the clouds like white taffy.
I’m mourning ten years of residual teenaged angst
but teenaged angst isn’t dead,
it’s just hiding under ground
punching the lid of its coffin until it can break through
and avenge the man that massacred my wedding party.
I kind of feel like love.
Like I’ve arrived in a nice suit at a wedding.
Like the king of the dance floor, drowning in waves of hands held high.
Like my twenties largely prepared me through the trial and error of shit mistakes
to enter my thirties entirely renewed and ablaze
and ready to make all sorts of new and interesting mistakes.
My bones are bionic.
The marrow is whiskey.
I am whiskey now, I don’t need to drink to get there.
I’ve aged in barrels.
My beard sleeps soundly against the walls of my face.
If I had ten thousand blenders I’d turn them all on to high.
I am a giant monster that could attack the city but instead
I’m opting to dig deep in the dirt and plant large gardens of flowers.
I am realized chaos,
I am a cat thrown into the sky
and landing in downward dog.
My tongue spits om after om
as I regenerate my bones.
I am sailing on an ocean of great intentions
and I spent a quiet night with Hemingway
taught how to punch caustic sharks in their stupid faces.
Neruda has taught me that revolution and love
are one and the same.
Warsan taught me that our pain is our story
and it can be behind us,
like a great thick wind pushing us into new pain.
I am naked and painting myself to blend in with the grass.
I am green and inseparable from everything,
except I’m acutely aware I’m 30.
I’m acutely aware of the position I’ve established on my doomsday clock.
I am the clock hands of Doctor Manhattan in the mouth,
along the sides, in the cunt,
floating like oceans across the breasts of a lover.
I am meditating on Mars about my goddess of war,
and how she has awakened inside of me the armistice of my arms,
now outstretched into great giant fields of oranges,
where I reach out,
and grab them,
and peel the skin,
and I try to pull the pieces out neatly,
but the orange says no,
the orange says,
dig your face deep into me and eat me rabidly.