An Old Woman of Arles

though once
her hair was wild
it is now tamed
seeking refuge from
a long life
in the sanctuary
of a black bandana

her eyes sunken in
like great ships
set ablaze
in the starry night
beneath her eyebrows
like clouds
that dissipate
slowly through time

her wrinkles have
formed like drylands
under the salt water crusades
of lovers above her
long gone
onward to other women
other lives
and down the stairs
six feet beneath the
ground

there is no symmetry
left to her face
there is no falsity
of balance
of give and take
of war and peace
just the residue
of what lost
and what was won

she stares
at the artist
like she is staring
at god
like she stares out
into the great void
that hovers over her
small bed
the great void
that comes whistling
out of her teapot
the great void
that consumes
not only the old woman
but the artist as well
but youth

he does not know
that when he stares out
at the old woman of arles
that he stares into
himself
but god
does he know
how to paint
a self-portrait.

'An Old Woman of Arles' by Vincent Van Gogh. 1888.


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